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Blindness has always fascinated those who can see. Although modern imaginative portrayals of the sightless experience are increasingly positive, the affirmative elements of these renderings are inevitably tempered and problematized by the visual predilections of the artists undertaking them. This book explores a variety of the (dis)continuities between depictions of the sightless experience of beauty by sighted artists and the lived aesthetic experiences of blind people. It does so by pressing a radical interdisciplinary reinterpretation of celebrated dramatic portrayals of blindness into service as a tool with which to probe the boundaries of the capacities of the sighted imagination while exploring the sensory detriment of our visually fixated notions of beauty. Works by J. M. Synge, W. B. Yeats, and Brian Friel are explored as a means of crafting a workable and innovative medium of theoretical and experiential exchange between the disciplines of literature, aesthetics, and disability studies. In addition to appraising previously unexamined aspects of the work of three of Ireland’s most celebrated modern dramatists, this book considers the consequences for blind people of the exclusionary and prohibitive elements of traditional aesthetic theory and art education. The insights yielded will be of value to those with an interest in modern literature, differential aesthetics, visual culture, perception, and the experience of blindness.

• Sales Rank: #10006793 in Books
• Published on: 2007-08-30
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.00" w x 1.00" l, 1.60 pounds
• Binding: Hardcover
• 331 pages

Review
«This brilliant study says many new things about the most eminent modern Irish playwrights while also challenging our visually fixated notions of beauty. David Feeney’s keen literary and aesthetic analysis is complemented by a refreshing and receptive willingness to let the autobiographies of blind people speak poignantly for themselves.» (Declan Kiberd, Head of Combined Departments, National University of Ireland, Dublin)

From the Back Cover
"This brilliant study says many new things about the most eminent modern Irish playwrights while also challenging our visually fixated notions of beauty. David Feeney’s keen literary and aesthetic analysis is complemented by a refreshing and receptive willingness to let the autobiographies of blind people speak poignantly for themselves."Declan Kiberd, Head of Combined Departments, National University of Ireland, Dublin

About the Author
The Author: David Feeney received a B.A. in English and philosophy from Trinity College Dublin. After a year as a visiting researcher in the Aristotle University of Thessaloniki and a period as a disability scholar with the National Disability Authority of Ireland, Feeney completed a Ph.D. in the English Department at Trinity College Dublin focusing on English literature, disability studies, and aesthetics.

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This bestseller from leading economist Mariana Mazzucato � named by the �New Republic� as one of the �most important innovation thinkers� today � is stirring up much-needed debates worldwide about the role of the State in innovation. Debunking the myth of a laggard State at odds with a dynamic private sector, Mazzucato reveals in case study after case study that in fact the opposite situation is true, with the private sector only finding the courage to invest after the entrepreneurial State has made the high-risk investments. Case studies include examples of the State�s role in the �green revolution�, in biotech and pharmaceuticals, as well as several detailed examples from Silicon Valley. In an intensely researched chapter, she reveals that every technology that makes the iPhone so �smart� was government funded: the Internet, GPS, its touch-screen display and the voice-activated Siri. Mazzucato also controversially argues that in the history of modern capitalism the State has not only fixed market failures, but has also shaped and created markets, paving the way for new technologies and sectors that the private sector only ventures into once the initial risk has been assumed. And yet by not admitting the State�s role we are socializing only the risks, while privatizing the rewards in fewer hands. This, she argues, hurts both future innovation and equity in modern-day capitalism. Named one of the �2013 Books of the Year� by the �Financial Times� and recommended by �Forbes� in its 2013 �creative leaders� list, this book is a must-read for those interested in a refreshing and long-awaited take on the public vs. private sector debate.

• Sales Rank: #518971 in Books
• Published on: 2013-06-10
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.00" w x 5.50" l, .74 pounds
• Binding: Paperback
• 266 pages

Review

�[H]ands down the most refreshing treatment of the innovation issue to have emerged in a long time.� ��Science and Public Policy�

�[A] skillful combination of the history of technology, empirical evidence, and policy analysis [�] the book contains a critical reading of data and arguments that run counter to established views while never falling short of offering constructive solutions.� �Davide Consoli, �Science�

�[P]rovides persuasive evidence that governments deserve more credit than private companies for the development of most important modern technologies.� �Edward Hadas, �Reuters�

�Mazzucato argues that long-term, patient government funding is an absolute prerequisite for breakthrough innovation. [�] Even if you disagree with Mazzucato�s argument, you should read her book. It will challenge your thinking.� �Bruce Upbin, �Forbes�

�Conventional economics offers abstract models; conventional wisdom insists that the answer lies with private entrepreneurship. In this brilliant book, Mariana Mazzucato [�] argues that the former is useless and the latter incomplete.� �Martin Wolf, �Financial Times�

�[A] meticulously argued treatise that shows how unwise our conventional wisdom has become.� �Christopher Dickey, �Newsweek�

�In this trailblazing book on the role of government as both a risk-taking funder of innovation and a market creator, Mariana Mazzucato persuasively argues that the government is a key enabler of technological innovations that drive economic growth. [�] This important book should be read by policymakers, opinion leaders, and others with a stake in funding economic growth.� �' Arnold T. Davis, CFA Institute book review

��The Entrepreneurial State: Debunking Public vs. Private Sector Myths� [�] is a meticulously argued treatise that shows how unwise our conventional wisdom has become.� �Christopher Dickey, �Newsweek�

�Makes and engaging, persuasive case in favor of the state, and suggests one recommend it not just as an instrument of market repair but also as a prerequisite for future prosperity.� �J. Bhattacharya, �Choice�

�It is one of the most incisive economic books in years.� �Jeffery Madrick, �New York Review of Books�

Review

�This is a book whose time has come. Mariana Mazzucato documents how the state played a crucial role behind some of the landmark innovations of our time. For many, the �entrepreneurial state� is a contradiction in terms. For Mazzucato, it is both a reality and a requirement for future prosperity.� �Dani Rodrik, Rafiq Hariri Professor of International Political Economy, John F. Kennedy School of Government, Harvard University

�The principal entrepreneurial drive that has given us many of today�s most important technologies has come from the state. Most thinking and arguing regarding how to energize our sluggish economies is blind to this fact. Mariana Mazzucato�s book aims to get us to understand better the sources of entrepreneurship, and to reflect more positively on the role aggressive technology policies can play in getting our economies moving again.� �Richard Nelson, George Blumenthal Professor of International and Public Affairs, Columbia University

��The Entrepreneurial State� delivers a well-researched and elegantly (even entertainingly) written knock-out to the belief across most of the political spectrum and the economics profession that (with some qualifications) �the market knows best�. As many governments wonder how to boost the productivity and innovativeness of their industrial sectors, this book provides guidelines � based on successful and unsuccessful cases � on how to do industrial policy well. Above all, it shows why the common presumption that the state ��crowds out� the private sector � as though the private sector is a lion caged by a smothering state � is contradicted by what governments of economies from the United States to Brazil and China �actually do to �crowd in� innovations in the private sector.� �Robert Wade, Professor of Political Economy and Development, London School of Economics

About the Author

Mariana Mazzucato is RM Phillips Professor in the Economics of Innovation, SPRU, University of Sussex. Named one of the �three most important thinkers about innovation� by the �New Republic�, she lectures widely and advises the UK government and the European Commission on innovation-led growth.

www.marianamazzucato.com

http://www.marianamazzucato.com/projects/entrepreneurial-state/

@mazzucatom

Most helpful customer reviews

10 of 10 people found the following review helpful.
Turning Uncertainty into Risk
By R. Albin
This concise and somewhat polemical book is successful effort to argue for a relatively large role for state intervention in fostering economic growth. Mazzucato points to the substantial role of state-led interventions in the development of important techologies. Her analysis goes well beyond the usual discussion of DARPA and the Internet to discuss a broad array of important technologies fostered by the state, particularly the US Federal government. Who knew, for example, that Apple had an SBIR grant in its early years or that Google's original algorithm development was assisted by an NSF grant. Mazzucato lays out the many ways in which Federal and sometimes US state patronage contributed substantially to the development of important, novel technologies. A key point is that these successful efforts go well beyond routine R&D support, tax credits, and educational efforts to active participation at many levels to translating research into successful products. Mazzucato is quite critical, and successfully so, of conventional views of the roles of venture capital and our financial system in general. She captures this quite nicely by describing the role of the state as dealing with Frank Knight's famous concept of uncertainty - only the state can make the sustained investments and create the market environment for novel technologies - in the essentially unpredictable world of science and technology. Only when uncertainty has been transformed into calculable Knightian risk will conventional market mechanisms assist the development of new technologies.

This is very well done but will be familiar to almost anyone with a modest knowledge of the history of technology development in the 20th century. A more novel and very interesting aspect of Mazzucato's argument is her sustained criticism of venture capital and general corporate finance policies in relation to technological innovations. This is an effective critique discussing the general theme of public risk and private profits. She also makes a credible argument that the public should get a better return for its tax supported investments in novel technologies, something that could expand the development of new technologies and foster growth.

Minor defects of this book are over-reliance on technical language common among economists and a couple of unclear arguments related to some of the more technical aspects of economics, notably the critique of conventional growth theory. Strongly recommended.

8 of 8 people found the following review helpful.
The Entrepreneurial State by Mariana Mazzucato, review by Mahee Ferlini
By Mahee Ferlini
Interesting analysis on how the state can contribute to long term economic growth especially through investment in research. I found it in line with some of the seminal contributions of Ken Arrow, Dick Nelson, and Keith Pavitt, among the others. However, I would have expected a deeper exploration of the conditions and the rules that can increase productivity and positive externalities of public investment. Moreover, as shown by the cases of Silicon Valley and Cambridge Ma., the US public research system has properties that other national systems of innovation were not able to replicate. So, I would have expected more emphasis on the interplay between competitive, mission oriented, public investment and vibrant market driven innovation dynamics. A good reading in any case. Mahee Ferlini

28 of 35 people found the following review helpful.
The state as an essential partner in innovation
By laurens van den muyzenberg
This well researched book proves that most important innovations are based on financing from government. Apple's iPods, iPhones and iPads are presented as one of the examples. The author describes in detail how the government has financed all essential technological innovations used. The author recognizes the genius of Steve Jobs by visualizing an attractive product that people would buy, selecting technologies, and putting them together in a compact beautiful package.

At first sight this appears the way it should be. The government finances technological breakthroughs that are picked up by business. The problem she sees is financing by the government. Governments are pressured to reduce costs and furthermore are accused to be highly inefficient in everything they do. She describes how for example the governments the US, Germany and Denmark invest heavily and effectively in research and development. They act as entrepreneurs taking the highest risks.

She shows that businesses, in the medical electronic and other fields have radically reduced their funding of the more longer term research and development on which breakthroughs depend. Business and venture capitalists are short term orientated. When "innovative" companies are hugely profitable they buy back shares and/or raise dividends but do not invest it in the longer-term future. She presents a lot of statistics to prove this point.

She considers that it is very important for the people at large to recognize the essential role government plays as the fundamental force in innovation. This role goes beyond developing new knowledge. The state in many cases also has to finance the development of a new technology to the point where it is applied and achieve critical mass. The governments is involved in the supply side but in important cases also on the demand side. The government chooses, has to choose, the winners.

The United States is by far the most effective and largest investor in innovation. Many people believe that the free market and entrepreneurs are the driving force in innovation. She refers to this as a "myth" presenting many examples.

Companies in general but especially highly profitable global companies go out of their way to reduce their taxes. Statistics show that these global companies are highly successful on this point. The tax income in addition to being reduced is also not going to the countries that have financed the new technologies that played an important role in generating the profits. She believes it is naive to believe that national governments can enforce tax regulations on global companies and therefore proposes other solutions.

One suggestion is to attach a royalty obligation to a technological innovation. The first buyer, as the public at large financed the innovation, should after a few years of exclusive rights, license other companies to use the innovation. She also refers to government financed development banks that provide financing for the early sages of development. A good example is such a bank in Germany the KfW (www.KFW.de).

She considers the present system as "dysfunctional", where governments take the highest risks and businesses take all the profits being an example where risks are socialized and the profits privatized.

I have worked extensively in this field, both in business and for government. I found this book stimulating to read and recommend it to others. I am however not sure, to what extent, the suggestions can be implemented. I do not doubt the importance and essential role the government plays in financing R&D. That kind of financing and managing, early stage innovation even including the creation of demand can also be seen as a logical task of government. I do agree that it is important that people at large should become more aware of the entrepreneurial role of government in innovation, and the necessity to organize and finance it.

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Denim embodies authenticity, rebellion, workwear, and the old west. Denim hunters tirelessly search ghost towns for vintage jeans. Families weave heritage cloth for generations. Craftsman on foreign shores preserve the old ways while designers back home redefine the iconic five-pocket look. And all of us trade stories of how we got that perfect fade.



Blue Blooded is the story of denim and denim culture: The secrets of selvedge. The true origins of the Osaka Five. The immigrants and inventors in the Wild West who created jeans. Exclusive profiles of the independent designers and makers invigorating the denim scene, like 3sixteen and Iron Heart, along with forces like Levi’s that shaped the industry. No other garment has the iconic status of jeans. Jeans are never out of fashion, and they will continue to outlive other sartorial trends for the foreseeable future.



A contemporary overview of our favorite article of clothing, Blue Blooded introduces traditional brands as well as designers who are stirring up the industry. The book covers the topic of jeans in its entirety―from their rivets to their various washes and from their cultural history to a recommended selection of stores where they can be bought. And, of course, the things every denimhead needs to know: How to wash―or not wash―your jeans. How denim is made. And how denim makes us who we are.

• Sales Rank: #225489 in Books
• Published on: 2016-06-25
• Released on: 2016-06-25
• Original language: English
• Number of items: 1
• Dimensions: 11.20" h x 1.00" w x 9.70" l, .0 pounds
• Binding: Hardcover
• 256 pages

Review
"Whether you want to geek out on the technical details of indigo dyeing, weaving and fabric finishes or discover the true origins of the Osaka Five, or you simply want to figure out how to style and wear your jeans, Blue Blooded provides you with a foolproof overview of our favourite wardrobe staple and trusty twill."

—WGSN

About the Author
Thomas Stege Bojer is the force behind the online magazine Denimhunters. There, jeans lovers can find product recommendations, care tips, industry news, a well-informed glossary, and much more. He previously worked for a variety of fashion brands as a shop manager and branding specialist.

The British journalist Josh Sims writes about fashion and lifestyle for publications including the Financial Times, the Independent, Wallpaper*, and Esquire. He is also the author of several books and style guides.

Most helpful customer reviews

0 of 0 people found the following review helpful.
One of the best denim book of my collection
By BLUE LINE spa BOZZI MARCO
One of the best denim book of my collection! Clear and detailed descriptions, Nice photos, good layout and high quality paper.

0 of 0 people found the following review helpful.
Five Stars
By AG
Great book for any denim head.

See all 2 customer reviews...

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[T887.Ebook] PDF Ebook Cold Comfort Farm, by Stella Gibbons

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Cold Comfort Farm, by Stella Gibbons

PDF Ebook Cold Comfort Farm, by Stella Gibbons

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Simply connect your gadget computer system or gadget to the web hooking up. Obtain the modern-day technology making your downloading and install Cold Comfort Farm, By Stella Gibbons completed. Even you do not wish to review, you can directly close guide soft documents and open Cold Comfort Farm, By Stella Gibbons it later on. You can also easily get guide everywhere, because Cold Comfort Farm, By Stella Gibbons it remains in your device. Or when remaining in the workplace, this Cold Comfort Farm, By Stella Gibbons is additionally suggested to read in your computer tool.

Beautifully illustrated in color by Quentin Blake (watercolor). The Folio Society Edition, issued in a board jacket.

• Sales Rank: #3553625 in Books
• Published on: 1990
• Binding: Hardcover

Most helpful customer reviews

78 of 78 people found the following review helpful.
A "slapstick" novel of manners?
By bensmomma
Could there be such a thing as a "slapstick" novel of manners? This one might qualify, for its humour both witty and broad and its country-house setting.
Our highly-educated heroine Flora Poste, intelligent, witty, but fashion-addled, aimless, and seemingly shallow, descends on her rural relatives when her parents die leaving her penniless. Sharp parodies of rural England, the family includes, among others, an insane matriarch locked in her room, a love-mad and graceless granddaughter, a grandson who plays the same role among the maids that the bull does among the cows, an antique manservant who fails to notice when a cow's leg falls off. In short order Flora contrives to marry off the granddaughter to a local grandee, packs the grandson off to Hollywood, and generally manages things so craftily that everyone not only lives Happily Ever After but also does so with Good Manners and better haircuts.
The most winning feature of Gibbon's book (after the fact that it is hysterically funny) is that she skewers not only the conventions of the 1930s upper classes to which Flora belongs, but also the working class denizens of the farm. At first everyone seems faintly ridiculous but over time your affections for ALL these characters grows. By the end you are actually happy to see them all happily settled, and Flora no longer seems like a conniver but a clever and sympathetic heroine-more Elizabeth Bennet than Becky Sharpe. A very neat trick on the part of the author, and one well worth the discovering.
One miniscule note of caution: Gibbons, writing in the 1930s, sets her novel "in the near future," and adds a couple of futuristic features that confuse the casual reader-telephones with televisions in them so you can see the speaker, references to the "Anglo-Nicaraguan War" and the like. You may safely ignore them without diminishing the book.

112 of 116 people found the following review helpful.
Enjoyable - but not the original text
By Amazon Customer
I read the book as part of a book club. We all found it amusing and entertaining. Be warned - this is not the same text as originally published. I ordered this edition because it would ship sooner than others which appeared higher on the sort list. While the story arc is the same, and the characters as quirky, it became apparent that my version misses a lot of the descriptive prose my friend all read. Skip this edition and get the full deal.

89 of 93 people found the following review helpful.
Satirical, Sardonic look at the English Novel in Cold Comfort Farm
By Rebecca Huston
Every now and then, usually when life gets a bit too stressful, I need a good belly laugh. And if an author can do it in a clever fashion, then all the better. Such was the case with Stella Gibbon's Cold Comfort Farm.

Written in 1932, and set in "the near future," it's the story of the Starkadder family and what happens when they have a run in with the determined Flora Poste. Flora is one of those heroines who is decidedly cheerful, and very intent on fixing up other peoples messes and untidiness. Forced with the decision to either throw herself on the mercy of some relations goodwill to take her in, or (horrors!) get a job, Flora writes to the various relations that she has in search of a home after the demise of her parents. In exchange, Flora will hand over her slight inheritance of a hundred pounds a year.

And it seems the only relations who do want her are the Starkadders, off in the downs of Sussex. Flora is imagining a tidy home farm. What she gets is a set of cranky, eccentric if not outright insane, cousins, with the ringleader, Aunt Ada Doom in the middle of it all. There is the son of Ada, Amos Starkadder, who runs the farm, but spends Tuesday nights off preaching fire and brimstone to the Brethren; his wife Judith who worships her youngest and views the world as perpetual misery and just wishes that everyone would leave her alone. Pretty Elfine, all of seventeen, spends her days running wild and imagining herself a dryad, twigs and leaves included. And then there are the boys, most notably, Reuben, who loves farming, but Amos doesn't trust him, and Seth, an oversexed, hunk of manhood who seems to have nothing but sex on the brain, but the reality is much more interesting. And then the ancient, muttering Adam, who 'cletters' the dishes with thorny twigs.

In short, Flora has all sorts of interesting projects at hand, and it's a task that she falls to with glee with great practicality and not a little cunning on her part. It's a mad riot of a novel, generously slathered with wicked parodies of the overwrought prose of D.H. Lawrence and Thomas Hardy, asides to the writing of Gaskell and a great withering jab at the Brontes. For anyone who has survived a university level course in nineteenth century English lit, it's the perfect antidote to the general depression that follows such a course, and it's worth it.

Asute readers will note that Flora blithely goes about her mission of improving everyone's lives and being a dreadful snob about it. It takes a little while to realize that Gibbons is making fun of her heroine just as much as she is of the popular novels of the time. Flora never quite seems to see the chaos that she is spreading about in her wake as she goes about her tidying, and assumes that she is 'doing the right thing.'

From the names of the farm's herd of cows -- Aimless, Feckless, Graceless and Pointless and the stud bull, Big Business -- to the real intent and mystery of Aunt Ada, who saw something nasty in the woodshed, it's a grand read of a book. You'll find yourself giggling over the descriptions, the sly wit, and the oft-times ridiculous situations that arise in this tale of a tormented family. I enjoyed myself immensely, and found it vastly entertaining and worth it to mend the blues for an evening.

It's not a very long book, just under 240 pages, and if you can, find the new release from Penguin Books, with a new introduction by Lynne Truss, and a delightful cover by artist Roz Chast. There have been several film versions of this one made, most notably with Kate Beckensale as Flora, and I urge anyone who hasn't read the book to do so. You'll never look at English Literature in quite the same way again.

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[B263.Ebook] Free Ebook It Gets Worse: A Collection of Essays, by Shane Dawson

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THE INSTANT #1 NEW YORK TIMES BESTSELLER

New York Times bestselling author Shane Dawson returns with another highly entertaining and uproariously funny essay collection, chronicling a mix of real life moments both extraordinary and mortifying, yet always full of heart.

Shane Dawson shared some of his best and worst experiences in I Hate Myselfie, the critically acclaimed book that secured his place as a gifted humorist and keen observer of millennial culture. Fans felt as though they knew him after devouring the New York Times, Publishers Weekly, Los Angeles Times, and Wall Street Journal bestseller. They were right… almost.

In this new collection of original personal essays, Shane goes even deeper, sharing never-before-revealed stories from his life, giving readers a no-holds-barred look at moments both bizarre and relatable, from cult-like Christian after-school activities, dressing in drag, and losing his virginity, to hiring a psychic, clashes with celebrities, and coming to terms with his bisexuality. Every step of the way, Shane maintains his signature brand of humor, proving that even the toughest breaks can be funny when you learn to laugh at yourself.

This is Let's Pretend This Never Happened and Running With Scissors for the millennial generation: an inspiring, intelligent, and brutally honest collection of true stories by a YouTube sensation-turned one of the freshest new voices out there.

• Sales Rank: #952 in Books
• Published on: 2016-07-19
• Released on: 2016-07-19
• Original language: English
• Number of items: 1
• Dimensions: 8.37" h x .90" w x 5.50" l, .0 pounds
• Binding: Paperback
• 256 pages

Review
Praise for It Gets Worse:

"Dawson exhibits his signature brand of twisted humor and neuroses in his second volume of personal essays. [His] journey is fraught with sadness…and comedy…His self-deprecating and outrageous humor…deserves comparison to David Sedaris." (Publishers Weekly)

“These 13 essays collected here are…humorous, but some are quite moving…One a humor scale of 1 to 10, 1 being meh and 10 being a hoot, Dawson’s essays earn a solid 7. Teen fans of David Sedaris will enjoy Dawson’s perky essays." (Booklist)

"Shane Dawson brings us possibly – no, definitely – the most hilarious read of summer. In this uproarious essay collection, Dawson unleashes all his wit and explores his mortifying childhood and every awkward moment as he came to terms with bisexuality. Overflowing with humor and sharp observations on the struggles surrounding modern culture, It Gets Worse is comfort food for the millennial soul."
  (Sunset Magazine)

“If you're a fan of his, it's safe to say this is already pre-ordered for you, but if you haven't been introduced to this YouTube sensation, I'd recommend checking him out if you're a millennial who loves to laugh.”  (Bustle.com)

Praise for I Hate Myselfie:
“Though Shane is infamous for his biting wit and crude humor, I Hate Myselfie is as much heart as it is crass.... [It] proves that laughing at yourself can help overcome even the most embarrassing experiences.... Shane may 'hate his selfie,' but his millions of fans will love it.” (AccessHollywood.com)

"This book is a haven for difference in a sea of more of the same with YouTuber books. The essay approach really worked for the book." (The Guardian)

"Like Dawson’s previous book, I Hate Myselfie, It Gets Worse is a collection of humorous autobiographical essays...laced with both bracing honesty and Dawson’s signature humor."
  (Entertainment Weekly (ew.com))

About the Author
Shane Dawson is a director, actor, comedian, musician, YouTube vlogger, and the New York Times bestselling author of I Hate Myselfie. He lives in Hollywood, California. Find him on YouTube.com/user/ShaneDawsonTV.

Excerpt. © Reprinted by permission. All rights reserved.
It Gets Worse
It Gets Worse: An Introduction

Most helpful customer reviews

7 of 7 people found the following review helpful.
OMG YES!
By Mario Chegini
I am just about halfway done with the book and I just have to say, it has to be one of the funniest books I've ever read! The book starts out kind of slow and introduces the reader to Shane's childhood, his relationship with his brother, and his battle with his sexuality. 5 stars for the content. It later starts to pick up and we learn about his adolescent awkwardness and his college stories. Now, about the actual printing and shipping of the book: My book arrived in a yellow Amazon envelope slightly crushed and bent, and upon reading the book, there seem to be black dots on certain pages. C'mon Amazon! But anyway, this is a great book!

7 of 7 people found the following review helpful.
my new bible
By Olivia Weiss
I've watched Shane on YouTube since 2010 and I blame him for my sense of messed up humor and I wouldn't have it any other way. So when Shane wrote this book I preordered it immediately and I'm so happy I did.This book will make you laugh and teach you to stay humble. As soon as I got it in the mail I couldn't put it down! It distracted me from my anxiety and kept me smiling and laughing. I really recommended this book to anyone with a messed up sense of humor or if you're looking for a quick laugh.

5 of 5 people found the following review helpful.
Relatabe, self-depricating and humorous
By T. Skylar
There's more self-deprecating humour where that came from! I rarely, if ever pre-order books, but l pre-ordered It Gets Worse by Shane Dawson on the basis of how much l enjoyed his first book. Shane was one of the first YouTubers l truly paid attention to. He has become synonymous with the very word "YouTuber". I found Dawson to be very relatable and engaging in his New York Times best seller I Hate Myselfie and by the end of the book l found myself wanting more. Well, more has arrived in the form of Shane's new volume, It Gets Worse.

Despite it's rather depressing title, it is not a negative book and it offers a glimmer of light for all struggling teenagers. While l can't relate on a personal basis to every (or even most) events described by Shane, he has the ability to be personable and connect with his audience. As proven with his first volume, his ability to reach his audience begins, but doesn't end behind a computer screen. Dawson is witty, charming and displays surprising dept. He's watchable but also happens to be highly readable as well. Whether it's stories of his family pretending to win the lottery or a difficult heartbreak, the book is hard to put down.

I must say l like Shane's second book more than the first. While l Hate Myselfie was a funny collection of first experiences and essays of embarrassing stories, It Gets Worse picks deep at the metaphorical scabs on the YouTuber's skin. We find here a more mature Shane Dawson —that's not to say he gets all philosophical on us plans to stop making Galaxy videos— he's just more comfortable with himself and aware. There are some darker moments and references to suicide and Dawson wanting to die as a teenager, but those are not including for comedic purposes. They are honest thoughts he had as he went through adolescence. The beloved YouTuber has won his battle with depression and perhaps his tale can inspire his following. When Shane tackles his confused feelings about his own sexuality, unrequited loves and life lessons learned he allows himself to be completely exposed.

Most adults would likely gain very little from reading It Gets Worse as they may not completely grasp Shane's brand of humour. l believe reading about these experiences can be truly beneficial for a teenager going through the hardships that come with adolescence. It gives them a sense of understand and tells them that they are understood. Besides, it's not all gloom and doom, there are some laugh-out-loud moments in these pages!

For the record, I'll still watch every Galaxy video you make Shane. 4/5 stars.

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[B648.Ebook] Download Wonderful Tonight: George Harrison, Eric Clapton, and Me, by Pattie Boyd, Penny Junor

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Instant #1 New York Times Bestseller

For the first time, rock music’s most famous muse tells her incredible story

Pattie Boyd, former wife of both George Harrison and Eric Clapton, finally breaks a forty-year silence and tells the story of how she found herself bound to two of the most addictive, promiscuous musical geniuses of the twentieth century and became the most legendary muse in the history of rock and roll. The woman who inspired Harrison’s song “Something” and Clapton’s anthem “Layla,” Pattie Boyd has written a book that is rich and raw, funny and heartbreaking–and totally honest.

• Sales Rank: #35539 in Books
• Brand: Boyd, Pattie/ Junor, Penny
• Published on: 2008-05-27
• Released on: 2008-05-27
• Original language: English
• Number of items: 1
• Dimensions: 7.95" h x .71" w x 5.14" l, .59 pounds
• Binding: Paperback
• 321 pages

Amazon.com Review
A Q&A with Pattie Boyd, Author of Wonderful Tonight

Why are you writing the book now?

I have been asked for the last 15 years to write a book, and it is only now that I feel the time is right. My confidence in myself was restored after two successful exhibitions of my photography, and it occurred to me that I was finally ready to take a look at the unique experiences of my life and to share them--including all the ups and downs.

Tell us about the first time you met George Harrison.

Working as a model, I occasionally went for castings, mainly for television commercials. I went for an interview with one of the directors I had worked with in the past, and he cast me in his first movie, A Hard Day’s Night, to play the part of a schoolgirl. When I first saw George on the set, I thought he was the best-looking man I’d ever seen. I was so surprised when he asked me out on a date at the end of my first day of filming.

Tell us about the first time you heard George Harrison's song, "Something."

George said he had written a song for me, and he played it on the guitar at home without the words. Then when I heard the song after it had been recorded I couldn’t believe how utterly beautiful it was. It was released on a single in October 1969, and I felt so thrilled and flattered.

Tell us about the first time you heard Eric Clapton's "Layla."

Eric invited me to his band's flat one day and played a rough recording of "Layla" on a cassette recorder. I was sitting on a sofa and he on the floor as it played, and he kept looking up at me for a reaction. I was stunned; the intensity, passion and tenderness came across so strongly--I knew, as he said, it was written for me.

Review
"[T]he appeal of Wonderful Tonight is as self-evident as the seemingly simple but brash opening chord of 'A Hard Day’s Night'… a charming, lively and seductive book, and like all good memoirs it also works as a cultural history… The prose is clear and unpretentious, and although she writes candidly about the pain her husbands ’ infidelities caused her…this isn’t a bitter tell-all. There’s an aura of sweetness around Boyd’s approach."
—New York Times Book Review

“A scrumptious memoir…There is exactly one big question for Ms. Boyd to answer here: What made her leave Mr. Harrison for Mr. Clapton, her husband’s close friend? To its credit the book answers that question plausibly and fully.”
—The New York Times

"They say if you can remember the '60s, you weren't really there. Well, Pattie Boyd was there, and she remembers it all." Wonderful Tonight "is a unique gospel of a turbulent time by someone who was in the very eye of the rock 'n' roll hurricane."
—Sydney Morning Herald

"Pattie Boyd married two Sixties legends and inspired three of the era's greatest love songs, but life was far from glamorous. The ex-wife of George Harrison and Eric Clapton speaks out in this compelling autobiography."
—The London Sunday Times

"There are so many wonderful stories in Pattie Boyd's life: Falling in love with a Beatle. Falling in love with another famous rock star, Eric Clapton, and being serenaded with 'Wonderful Tonight' . . . "But there is much that is excruciating in her life story." Boyd "was taught by her parents that she didn't deserve to be loved; she was told by her husbands that she wasn't worth very much, but here she is: not dead, not on drugs, not an alcoholic, but a survivor."
—London Daily Mail

“Will thrill classic-rock buffs with a taste for scandal.”
—Entertainment Weekly

“Boyd finally answers some of those questions [about George Harrison and Eric Clapton]–but on her own terms.”
—USA Today

“Sixties model Pattie Boyd opens up about her rocky relationships with two of music’s most famed performers.”
—Harper’s Bazaar


From the Hardcover edition.

About the Author
PATTIE BOYD is an acclaimed photographer whose exhibition Through the Eyes of a Muse recently toured two continents. She lives in West Sussex, England.


From the Hardcover edition.

Most helpful customer reviews

1 of 1 people found the following review helpful.
An insight into the world of those who've never had to work for a living
By Lord Flashheart
This is really a book about the golden age of rock stars, let's call it 1963 to Live Aid. It's very enjoyable in a makes-you-wonder-if-you're-living-on-the-right-planet kind of way and seriously makes you question the standard of careers advice given to us in the 1970's. Rather than focus on French A level, I'd have been far better off to have learned to play the guitar as I could have joined Kajagoogoo or something.

Anyway, no use crying over spilt milk and on with the review.

In truth, none of Harrison, Clapton or Patti Boyd herself come out of this story particularly well. Patti is almost a 'Last Days of the Empire' caricature. George Harrison was lost without Epstein making most of his real life decisions for him and, if half of her claims about EC are true, the man has some pretty serious psychological issues.

In many respects, it's like reading about a slow-motion trainwreck ...... a must for all schadenfreude fans.

1 of 1 people found the following review helpful.
Interesting stories, but ...
By MPFried
Pattie's writing style is a bit haphazard. I felt like I was reading her journal. It was written in a very casual tone, like talking to a friend.
I don't blame Pattie. She has lived a very interesting life and let us peek into it. But the book was poorly edited. The story jumps around a lot. For example, after she leaves Eric, there are stories from when they were together that seem out of place. The timeline of her life wasn't laid out clearly. Occasionally, she provides a date or a year but the narrative jumps around a lot, especially at the end of the book.
Still, I enjoyed having a front row seat to see into the Beatles and Clapton's early years. I'm glad she told her story.

0 of 0 people found the following review helpful.
A life briefly wonderful then back to reality
By M on Amazon
Some people are the party and wherever they go the party comes with them. Pattie Boyd just happened to catch the eye of one of those people and the transition from George Harrison back to reality was distracted by Eric Clapton. There isn't really much said of George as much as meeting and marrying George laid the foundation for Eric. Most of her activity with Eric involved drugs, alcohol, passionate sex when he wasn't out of his mind (you must guess "the passion' meant sex), and abuse. For a girl who was the subject of many famous love songs she turned out to be mere mortal. Her description of life after Eric is that of Josephine Anyone. All of her subsequent trips and activities are described like someone trying to make the mundane sound exciting but they are just too accessible by the general public. The Pattie Boyd in the songs would not have felt she needed to sound interesting.

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• Sales Rank: #6497779 in Books
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