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Noctuary, by Thomas Ligotti
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This collection of horror stories, many previously unpublished, includes "The Medusa," "Conversations in a Dead Language," and "Mad Night of Atonement." By the author of Grimscribe.
- Sales Rank: #266345 in Books
- Brand: Brand: Carroll n Graf Pub
- Published on: 1994-02
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 6.25" w x .75" l,
- Binding: Hardcover
- 194 pages
- Used Book in Good Condition
From Publishers Weekly
Ligotti's ( Grimscribe ) clever title suggests the marriage of "nocturne" and "mortuary," an appropriate preparation for this dark grouping of tales. In the foreword, the author explains that they fall in the category of "weird fiction," that is, extreme gothic horror, featuring macabre endings and unremitting doom. The studied extravagance in the narration of the some of the stories verges on stylistic overkill. Nevertheless, as gothic tales, a number of them are interesting. Three good tales are "The Medusa," which tells of a scholar obsessed with the Gorgon whom Perseus apparently did not kill; "Mrs. Rinaldi's Angel," a tale that lends new meaning to the term "bad dreams"; and the novella-length "The Tsalal," a gothic work of demonic prophecy that boasts a gruesome ending. These 27 stories describe shadowy worlds of blurred dimensions and ill-lit interiors; as with all such tales, the "when" and "where" are much less important than the atmosphere of gothic horror produced by Ligotti's baroque prose.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
Ligotti has written another colorful collection of horror stories ( Grimscribe , Songs of a Dead Dreamer , both Carroll & Graf Pubs., 1991), which spring on the unsuspecting reader the combination of supernatural characters, natural props, and "weird" circumstances. Stories include "The Medusa," which recounts the horror of Lucian Dregler, a man obsessed with finding the Medusa, the hideous woman with serpents on her head whose look turns men to stone. "Conversations in a Dead Language" is told from the perspective of an insane candy giver on three subsequent Halloweens; suspense mounts with each year as the reader witnesses the narrator's physical and mental deterioration. The last section of the book, "Notebook of the Night," is filled with short, lurid vignettes--snapshots of horror that demonstrate Ligotti's command of language and rich imagination. Starkly colored images keep the reader gasping. Recommended for horror collections.
- Stacie Browne Chandler, Plymouth P.L., Mass.
Copyright 1994 Reed Business Information, Inc.
From Booklist
The most disturbing terror comes from within, springs unexpectedly from bland or half-formed memories of the past. This is the terror that Ligotti cultivates in the richly evocative tales of this book, which slowly inundate the reader with a dread that even at a story's climax remains formless and shrouded, though undeniably present. Ligotti's protagonists are introspective psychic adventurers, such as a boy being taken to an old healer lady or an academic in pursuit of a fiend in the form of the Medusa, and his demons and horrors are both universal and very personal. His writing style is atmospheric, so much so that it at times risks turgidness. In the main, it serves his subject matter well, although it means his stories may prove inaccessible for run-of-the-mill horror fans. For those willing to immerse themselves in Ligotti's world, however, the rewards are great. Mike Tribby
Most helpful customer reviews
29 of 30 people found the following review helpful.
"A man awakens in the darkness..."
By H. Grove (errantdreams)
Thomas Ligotti is a truly unusual author. He has a fascination with "weird fiction," with the unknowable, the macabre. This is paired with a knack for eloquent word-poetry, intelligence and complexity, and a sense of the chillingly unusual. When I finish reading several Ligotti stories, I find that the world looks different. The colors aren't quite right any more, or the angles, or maybe people seem a little darker, a little stranger.
I have several books of Ligotti stories and Noctuary is my favorite. I have often wondered why, and the answer I eventually came to is that most of the stories in here are shorter than those in other books. The longest one is less than 40 pages, and many are only two or three pages long. As much as I love all of Ligotti's writing, he's at his best when he writes in short chunks. Otherwise I find his writing sometimes drags a little.
Ligotti's work is not for everyone. If you don't like the weird or the macabre, you won't enjoy his work. If you prefer your stories to be normal, with a beginning, middle and end, all wrapped up in a neat little ribbon, then this is not for you. If you prefer your world to be its same, comfortable self when you close your books - don't read a word of Ligotti. Ligotti's style is definitely not for everyone. He hands us phrases that no one but he would conceive of, that almost cannot help but elicit a shudder:
"We witness the scene and, with what remains of our mouths, we smile."
But for those of us who enjoy it, it is a dread and harrowing pleasure - one that I would not give up. My only regret is that Ligotti is not a more prolific author.
12 of 14 people found the following review helpful.
I bought this book and now I'm gutted ...
By Angela Linton
To realise that for only a few dollars more I could have bought 'The Nightmare Factory' instead which contains all the stories in this book + many more! I guess I will end up owning them both. Ligotti is one of the few creditable horror writers working today and I could never get tired of his stories. They just seem to get deeper and deeper with each subsequent reading. However - if you are looking for blood/gore type horror don't bother - this is a deeply subtle writer at work ..
8 of 9 people found the following review helpful.
A true artist
By A Customer
Thomas Ligotti is easily one of the least known masters of modern fiction. His work transcends genre and his prose is most often poetic, his imagery haunting and atmospheric. For fans of any type of literature, Thomas Ligotti is a rare gem and a great talent in the field, though sometimes a difficult read, his work is always rewarding.
This book preceeded his most recent work, "In a foreign town, in a foreign land" and his one of his best collections to date. Even the last section, which are simply bits and pieces from his notebooks, nothing coming close to a finished piece, far outshine many popular and exhalted writers working in the field today. Ligotti can create entire worlds, set mood and instill any emotion he desires, with a masters skill in less than a page, something many current bestselling authors fail to accomplish in hundreds of pages, or their entire body of work.
For those new to Thomas Ligotti, this book is a great place to start, for those familiar with some of his other works, look for "Alice's last adventure" in Prime Evil, "In a foreign town, In a foreign land" a very rare novella, and "Songs of a dead dreamer" the mass market paperback is a highly revised version of the original small press release and his first published collection of stories. Any fan of great literature no matter the genre will not be disappointed by this great artist's work.
ENJOY........
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